It is a feat achieved by a select movie soundtracks but those are scores which should be treasured when they come into the existance.īoth the Japanese and American casts bring something interesting to the table for this film.
Composer Joe Hisaishi is about to manipulate the audience’s emotions through the music alone. It features an orchestral score which finds a way to dig deep and help to move the story through each wondrous setting. The soundtrack which accompanies this film is phenomenal. There are a few birds which fly through the sky but not with the attention he’s shown in other films. One of the signature aspects of his films is to portray the glory of light in some way shape or form but it seems mute in this film. It must be noted this is one of the few films where Miyazaki is subdued regarding his love of flight. The landscape is luscious and awe inspiring to the point additional viewing is required to truly capture elements displayed on the screen. Instead the audience is filled with thought-provoking notions which will have you rethinking the way you look at the world. The plot instead focuses on ideals of rejecting hatred, conserving nature, and finding a way to cohabitate but presents them in a way which never feels forced, tedious, or arduous. Ashitaka finds himself struggling to find a remedy for his curse while being pulled into the worlds and conflicts surrounding these two women.įrom a story which could have been a simple hero’s journey in search of a magical cure becomes much more in the course of the film. Opposing Lady Eboshi and her iron empire is the feral girl San, who Eboshi refers to as Princess Mononoke.
In search for answers Ashitaka leaves his home and encounters the enigmatic Lady Eboshi who he discovers is directly linked to his current condition. The story follows a young man named Ashitaka, a prince who is cursed by a rampaging demon with a mark which will eventually overwhelm him. This was the power behind Princess Mononoke, a film many argue is the director’s greatest achievement. It was only when a film which had already been released two years earlier in Japan arrived in America were fans able to feel a resurgence of respect for anime they hadn’t felt since watching Akira for the first time. Though his previous works, My Neighbor Totoro and Kiki’s Delivery Service had made it to American shores, these titles did not garnish the attention they deserved but instead became cult classics which would later be appreciated as gems. Their fans were introduced to a director they had not been able to truly explore named Hayao Miyazaki. One of the earliest incidents where such an experience took place was in 1999.
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Often it takes a title which is unique and full of wonderment to truly help fans feel refresh themselves and remember why they keep following the medium in the first place. Through so much consumption of the product fans often forget what they enjoyed in the first place. When was the last time you had an enriching experience watching anime? With the plethora of titles which come out every year there is often a sense of feeling overwhelmed and lost in the media which many fans enjoy so much.
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